Notice: Undefined index: HTTP_ACCEPT_ENCODING in /home/jppl4xl3dfxh/public_html/configuration.php on line 8
Dances of Punjab :: punjabizm.com
Punjabi Culture n History
 View Forum
 Create New Topic
 Search in Forums
  Home > Communities > Punjabi Culture n History > Forum > messages
Showing page 1 of 2 << Prev     1  2  Next >>   Last >> 
Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Dances of Punjab
Ajo sare apa punjab de lok nacha de bare kuj galan share. Is vich apa punjab de jine ve lok nach ne ja nave nach shuru hoye ne ja jihna de bare apa nu pata a apa is vich share karyea so ajo apa punjab de lok nacha de bare kuj galan share karyea...
08 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Bhangra
Bhangra celebrates the harvest and is associated with the festival of Baisakhi (April 13) whenBhangra the sight of tall heaps of golden wheat fill the farmer’s heart with joy. To the accompaniment of large drums called dhols, he and his fellow villagers circle round and round in a leaping, laughing caper. It’s a dance that cuts across all divisions of class and education. At marriages, parties, or celebrations of any sort, it is quite common for men to break out in Bhangra. There are few sights more cheering than that of a dignified elder in three-piece suit getting up to join the young fellows for a moment of bhangra revelry.

The Bhangra is perhaps the most virile form of Indian Folk Dances. Springing from the land of five rivers, it abundantly reflects the vigor, the vitality, the leaven of exuberance, and the hilarity permeated among the rural folk by the promise of a bumper crop. The Bhangra season starts with the wheat sowing and then every full moon attracts teams of young men in every village who dance for hours in open fields. The dancers begin to move in a circle around the drummer, who now and then lifts the two sticks, with which he beats the drum, to beckon the dancers to a higher tempo of movement. They start with a slow movement of their feet. As the tempo increases, the hands, the feet and in fact the whole body comes into action. They whirl round and round bending and straightening their bodies alternatively, hopping on one leg, raising their hands, clapping with their handkerchiefs and exclaiming Bale Bale! Oh Bale Bale to inspire themselves and others to the abandon of the dance.

At intervals the dancers stop moving, but continue to beat the rhythm with their feet. One of the dancers come forward near the drummer and covering his left ear with his palm sings a boali or dholla, derived from the traditional folk songs of Punjab. Picking up the last lines, the dancers again start dancing with greater vigor.

In addition to a drum, chimta-musical tongs and burchu and sound of the beats from earthen vessels are used as accompanying instruments. The costume of a Bhangra dancer consists of a bright, colored Patka on the head, a lacha or lungi of the same color, a long tunic and a black or blue waistcoat and ghunghroos on the ankles. Some dancers also wear small rings (nuntian) in their ears.

When the wheat crop is nearing ripening, the breeze softly touches the surface of the golden crop creating a ripple and reckoning the sickle, when the hard labor of the farmer is about to bear fruit, it is time of rejoicing and merry making and through Bhangra their emotions find uninhibited and spontaneous expression of genuine happiness. The Bhangra season concludes with the Baisakhi fair when the wheat is harvested.

Bhangra is considered the king of dances. There are several styles of dancing Bhangra.
Sialkoti, Sheikhupuri, Tribal, Malwa, Majha. One of the Bhangra's moves is also akin to the moves of Shiv-Tandav dance, which is danced on one leg. Damru, hand-drum is also used in Bhangra which shows that folk dances and war dances have similar parentage.
08 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Gidda
WomGidda en have a different but no less exuberant dance called gidda. The dancers enact verses called bolis, which represent folk poetry at its best. The subject matter of these bolis is wide ranging indeed – everything from arguments with the sister-in-law to political affairs figure in these lively songs. Aside from the drums, the rhythm of this dance is set by the distinctive hand-claps of the dancers.
The vitality of Bhangra can also be seen in the Giddha dance of the women of Punjab. This dance translates into gestures, bolian-verses of different length satirizing politics, the excesses committed by husbands, their sisters and mothers, loneliness of a young bride separated from her husband, evils of society or expressing guileless deep love.
The dance is derived from the ancient ring dance. One of the girls plays on the drum or 'dholki' while others form a circle. Some times even the dholki is dispensed with. While moving in a circle, the girls raise their hands to the level of their shoulders and clap their hands in unison. Then they strike their palms against those of their neighbors. Rhythm is generally provided by clapping of hands.

Giddha is a very vigorous folk dance and like other such dances it is very much an affair of the legs. So quick is the movement of the feet in its faster parts that it is difficult for the spectator even to wink till the tempo falls again. The embroidered 'duppattas' and heavy jewelry of the participants whose number is unrestricted further exaggerate the movements.

During the dance 'giddha' songs called 'bolis' are also sung. One participant generally sings the 'bolis' and when the last but one line is reached, the tempo of the song rises and all start dancing. In this manner 'bolis' alternate with the dance sequence which continue for a considerable period of time.

Mimicry is aso very popular in 'Giddha'. One girl may play the aged bridegroom and another his young bride; or one may play a quarellsome sister in law and another a humble bride. In this way Giddha provides for all the best forum for giving vent to one's emotions.

The traditional dress during giddha dance is short female style shirt (choli) with ghagra or lehnga (loose shirt upto ankle-length) or ordinary Punjabi Salwar-Kamiz, rich in colour, cloth and design. The ornaments that they wear are suggi-phul (worn on head) to pazaibs (anklets), haar-hamela, (gem-studded golden necklace) baazu-band (worn around upper-arm) and raani-haar (a long necklace made of solid gold).
08 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Jhumar
This dance has originally come from Sandalbar (now in Pakistan), but is now very much a part of Punjab folk heritage. It is a dance of graceful gait, based on specific Jhumar rhythm.

The Jhummar is a dance of ecstasy. It is a living testimony of the happiness of men. Any time is Jhummar time especially during Melas, weddings and other major functions and celebrations. Performed exclusively by men, it is a common feature to see three generations - father, son and grandson - dancing all together. There are three main types of jhummar, each of which has a different mood, and is therefore suited to different occasionally, reason of its predominating mood.

This is also performed in a circle. The dancers dance around a single drummer standing in the center. Dancers circle around the drummer, and keep up a soft, sibilant chorus as they dance.It's costumes are the same as that of Bhangra. It is danced to the tune of emotional songs. The dance is without acrobatics. The movement of the arms only is considered its main forte. Toes are musically placed in front and backwards and turnings are taken to the right, sometimes the dancers place their one hand below the ribs on the left and gesticulate with the right hand. This dance does not tire out its performers and it is normally danced on moonlit nights in the villages away from the habitation. It is mostly danced by tribal Sikh professional acrobats and has yet not been owned by all Punjabis. The dancers of this dance let-off a sound, "dee dee" in tune with the beat of the dance which adds to its grace. This dance has also been integrated into Bhangra.
10 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Luddi
Luddi is a victory-dance recognisable by the swaying movements of the head. Its costume is a simple loose shirt. The performers place one hand at the back and the other before the face; the body movement is sinuous, snake-like. This is also danced with the drummer in the centre.

This is also a male dance of Punjab. It is danced to celebrate a victory in any field. Its costumes are simple. Only a loose shirt (kurta) and a loincloth are used. Some tie a turban, other the Patka which is somewhat like a scarf tied across the forehead, while still others join in bareheaded. This is also a dance of gay abandon. The performers place one hand at the back and the other before the face copying the movement of a snake's head. This is also danced with the drummer in the center but sometimes the dancers dance before a throng of people and keep moving forward also. This dance is more popular across the Sutlej and in Pakistan it is almost as popular as the Bhangra. This dance has an historical background and pertains to that moment in history when Punjabi Sardars had begun to rescue Indian women that used to be forcibly taken in the direction of Basra in Middle East.

This dance is also the dance of slow movements and some teachers by integrating it into Bhangra have finished its individual identity.
14 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Julli
It is a religious dance associated with Pirs and recluses and is generally danced in their hermitages (khangahs). This dance is performed mostly in a sitting posture; sometimes it is also danced round the grave of a preceptor. A single dancer can also perform this dance. Toes are tensed in this dance. The dancer holds a thick staff in his hands and he dances by revolving it. Normally black clothes are worn by the dancer, so is his head covered with black scarf. Sometimes, the murids (followers) also the tie ghungroos (Jingling bells) around their waists like the Bhangra dancers of yore. This dance is fast disappearing
16 Aug 2009

Amrinder Singh
Amrinder
Posts: 4129
Gender: Male
Joined: 01/Jul/2008
Location: Chandigarh
View All Topics by Amrinder
View All Posts by Amrinder
 
bahut wadhiya 22 g..
19 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Dhamal
Similar to bhangra and is danced by men in a circle.This folk dance also has not been able to achieve the popularity of Bhangra. Of course it is a male dance and, likewise, is danced in a circle. Drum is used as the accompanying instrument; its costumes are akin to Bhangra and Jhumar
20 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Sammi
Traditionally by women of the Sandalbar region, now in Pakistan. The dancers are dressed in bright coloured kurtas and full flowing skirts called lehengas. A peculiar silver hair ornament is associated with this dance.

The fairy dancers of the court of lord Indira are reputed to have taught the technique of Giddha and Sammi to the girls of this earth. The fairy which taught Giddha was known as Giddho while the one who taught Sammi was named as such. This kind of dance form is popular in Sandal Bar which now is in Pakistan. Sammi has not been able to gain popular acceptance and is breathing its last in the huts of the tribals. Women of Baazigars, Rai Sikhs, Lobanas and Sansi lot tribes dance in this medium. This is also danced in the privacy of women.

This women’s dance is also performed like ‘Giddha’. The dancers stand in a circle and swing their hands, bringing them up from the sides, right in front up to the chest level and clap: they take their hands down in accordance with a rythem and clap again. Repeating this gesture, they bend forward and clap again, and go round and round in a circle. As the rythem is maintained with the beat of the feet, various kinds of swinging movements are performed with the arms. Most of the gestures are confined to the movement of the arms, clicking and clapping. No instrument is required as an accompaniment to this dance. Rythem is kept up with the beating of the feet and clapping.

Special make-up is done by its performers. They knit their hair into thin plaits all over their head into intricate patterns and tie the remaining length of the hair in one full plait. In the middle of their head they fix a domed ornament shaped like an inverted lotus called phul-chowk or Suggiphul (flower of the crossings of the plaits). The performers wear a unisex kurta (male shirt) and the tehmet (lower cloth) and cover their head with a thick cloth of loose rectangular dimension, called 'Bhochhan'. Chutki is a frictional sound of single note created by pressing and then sIiding the thumb and the index or the middle finger and is used to keep the beat in this lance. The background song of this dance is also called sammi. This is also a dance of controlled movements. It is said that even the Devtas (angels) get inebriated while seeing this dance
24 Aug 2009

Amrit Manghera
Amrit
Posts: 662
Gender: Male
Joined: 05/May/2009
Location: ludhiana
View All Topics by Amrit
View All Posts by Amrit
 
Jaago
Literally, "wake up!" When there’s a marriage in the house, girls dance through the village streets carrying a pot (gaggar) decorated with lightened candles and singing jaagu songs. The theme of song in the ‘Jago’ is social and typically a bit of teasing (often aimed at elders) goes with the song.

On the night before the wedding, the female relations of the bridegroom prepare a 'Jaago'. Jaago is constructed on the style of ancient balconies on several surfaces of which lamps, fashioned out of dough of wheat flour are constructed in the style of stars, These are filled with ghee or oil, cotton wicks are placed in them and lighted. This effigy is put on the head of groom's mothers' brothers' wife, led by her the mother's relations, singing, dancing frolicking knocking at the doors of residents of the groom's village, enter in, dance gidha accept presents of food, grain and ghee for the lamps and continue these rounds through the night, when youth glows and the dark of the night resounds with mirth and laughter.
27 Aug 2009

Showing page 1 of 2 << Prev     1  2  Next >>   Last >> 
Reply